Vintage Radios

For a long time I've wanted to add some text to these image posts, maybe to add some perspective as to how they were made, and the creative insight. The idea to draw radios was actually kind of a draw-this-in-your-style type of  thing, I had seen a friend do something like this but in watercolor, and the style and design of old radios is very appealing, so I just started by searching on Pinterest for reference images.

The process is quite simple and can be broken down in 3 steps: the inital sketch to pin down the proportions, the adding in of color based on the main shadows of the piece, and the defining details which were accentuated with a plain mechanical pencil or a darker shade of the existing color. I work mainly from light to dark, gradually increasing the contrast and moving all around the drawing to keep the whole piece evolving at once - I am definitely not a fan of working in one area and finishing it, to leave another area completely blank. This latter technique has the unfortunate disadvantage of not allowing you to make a focus point in the drawing, everything would have the tendency to appear a bit flat and too even as it were.

All of the radios were drawn entirely with color pencil and mechanical pencil, except the green one, which has an initial wash of watercolor as a base.

As a side note/tip - the bigger the drawing, the more detail it allows, and thus looks better even when it is scaled down, like the golden one below, which was slightly bigger than the rest. (they were all drawn separately in the sketchbook and merged together in Photoshop)

M.

The Golden Apples



These three works were made for an exhibition of the Illustrator's Club in Brasov, Romania. 

The theme is Romanian folk tales, and I was inspired by a popular story, ''Praslea The Brave And The Golden Apples''. The medium chosen is that of watercolor with some mechanical grey pencil layered on top





M.

Graphic Portrait

This one's a portrait of my dear sweet guy for his birthday, and also the first time I tried this graphic technique for a full body pose. 

I used a photo as reference and also to trace the dark outlines of the main shapes (not so much the details). At first I was going to make it more like a painting like the Bufallo '66 one, but found that I didn't have as much patience, and this coloring in and adding plain shadows is much quicker and has immediate visual effect. Also the style of the image, the graphic letters on the clothing made it much more suitable.

I chose a main color for each shape (shirt, skin, pants etc) and one light version and one darker version. Of course for more details I could have worked with 2 or more. I've seen people do this succesfully in Illustrator with the fill option but as I am not as comfortable with it, I did this by painting in Photoshop.


M.

Buffalo '66


Another digital painting made just after finishing some big projects, mostly for fun/practice. The reference photo is from the movie Buffalo '66 starring Crsitina Ricci (the girl).

At first I was going to make another pencil style study like the previous London ones, but gradually this turned into a full-on digital painting, and I just couldn't resist adding the starry background, it just seemd to fit.
The light and shade played a big part in this and I reworked most parts twice to get the level of detail I wanted. This could have been even more realistic, but I didn't want to lose the freshness of the work.

M.

London



These digital studies were made just after finishing three very demanding book projects, with a tight deadline. So I finally had some more time to enjoy the process, to truly paint digitally.

I was also trying to replicate the same technique for colored pencil on paper, but with the tablet and a digital pencil-like brush. 
It was a bit harder to achieve the same accuracy as on paper until I learned to adjust the tablets sensitivity (turns out it was too low and I was pushing too hard on the pen tip which led to it starting to scratch). 
On the plus side though, digital drawings look much more alive, whereas with the scanned drawings, the contrast and saturation always need to be raised, and that can damage the quality of the image, making it look overexposed.
I wasn't truly happy with the pencil style brushes I found online, but changing the setting to Dissolve added the texture that I wanted. Also it might be worth a try creating a custom brush, but I've yet to try that.

M.